“Life’s like a movie, write your own ending. Keep believing, keep pretending,” writes Jim Henson. And he is right – life is neither smooth nor trouble-free. We all go through challenging times and tough situations, yet we never give up. Now let me ask you something – wouldn’t life be boring without these challenges? If everything went perfectly all the time, would we really appreciate the good times? Probably not.
Same goes with movies – without associating some tension and spontaneous conflict to it, the action seems dull and lifeless. People enjoy watching movies because it reminds them of their own lives. When they empathize with characters, they relive their life stories.
Here are the 7 most important steps any screenwriter should take to include conflict in their screenplay.
First and foremost, you’ll need to come up with a plan – what is your main character’s purpose? A logline is a summary of your scripts. Here are some quick tips on how to be proficient:
Now it’s time to write a summary of your work. Here, you should think of how your protagonist will interfere with the antagonist. Think about:
Lara Kate, freelancer at EssayOnTime and professional screenwriter, shares her opinion. “Don’t be too strict about your screenplay – let everything flow. Improvising is a good and original technique to use, especially when talking about conflictual situations. Whether you like it or not, your characters talk, so let them!”
It’s time to dive into our main point– making a scene (within a scene ha-ha!). Giving life to your characters might be challenging at first, as you may have no idea how to develop their personalities. This might help:
Without thinking it ahead of time, tension is challenging to create. Make sure that you already have a plan for your conflicts – as I mentioned before, it does not have to be exact, but you might want to have an idea of where and when your conflict will pop up.
“The older get, the more I look at movies as a moving miracle. Audiences are harder to please if you’re just giving them special effects…but they’re easy to please if it’s a good story,” shares Steven Spielberg on Filmmaking Lifestyle.
It’s time to come up with your movie draft. Divide your work into scenes and include dialogue and descriptions where necessary. Make sure your first 15 to 20 pages are incredibly well-written. A producer won’t have time to read through your whole script, but if your content is good enough, he or she will undoubtedly give you a chance.
Make sure you follow screenplay writing guidelines – it differs from your usual essay draft. You can find more info here.
After you’ve come up with the draft, content, and characters, take some time off to relax and not think about your piece. Let it settle in and come back to it later.
Now that you’re back, reread everything and notice the good and bad parts. Is there anything you are not pleased with? Is your action too steady? Are your characters missing something? Do you need more conflictual scenarios? Analyze it thoroughly and ask for feedback.
Creating tension in your screenplay is not a piece of cake – it takes patience and lots of passion coming up with the right script and characters. Make sure you take the time to work on your screenplay; don’t hurry things up. Good luck!
Bio: Serena Dorf is a social media savvy Los Angeles-based content writer. She is thirsty for knowledge and is always on the lookout for writing tips to share with her readers. In her free time, she is reading classic American literature and learning Swedish. Feel free to connect with her on Twitter.
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